A digital art project and cultural archive that employs photogrammetry and procedural generation to establish a visual dialogue between ancient Vietnamese craftsmanship and contemporary computation. Moving backwards through history, from the Nguyễn Dynasty to the prehistoric Đông Sơn culture, the series utilises mathematical formulas to create generative responses to architectural carvings, inspired by the artist's upbringing in Hanoi's Thịnh Liệt village and the tactile experience of historical stonework.

The project has evolved into a research-driven installation exploring cultural ownership and the "invisible" labour of the unnamed craftspeople who built Vietnam's symbolic architecture. Drawing on critical heritage theory, the work translates imperial decorative forms from Huế into industrial and computational processes, interrogating how systems of power, feudal hierarchy, and colonial administration continue to shape contemporary cultural production.